在中国摄影界,袁毅平是一个熟悉的名字,也是一位资深的摄影前辈。一幅拍摄于1961年的天安门日出的彩色风景照片《东方红》,既是袁毅平的传世佳作,也成了他的刻板标签。但恰是这些,使他作品中交织的那种熟悉与陌生,成为那个时代与人双重存在的注脚。 In Chinese photography, Yuan Yiping is a familiar name, but also a veteran photography predecessors. A color landscape photograph of the sunrise of Tiananmen Square in 1961, “Dongfanghong”, is both a masterpiece of Yuan Yi-ping’s successor and his label. But precisely these, familiar and unfamiliar to his works, became the double footnote of that era.