近些年,美术呈现出前所未有的繁荣态势,东方与西方、传统与现代的各种美术思潮、美术样式争奇斗艳,传统绘画、建筑、雕刻与现代装置艺术、行为艺术、观念艺术、影像艺术和平共处,旱现出一派“繁荣”的景象。而在这种“繁荣”的背后,却深藏着深层的问题和危机。其中,美术批评在当代美术发展中的失位是主要问题之一。事实上,美术批评的失位一直是美术界呼吁的问题,主要表现在以下两个方面: In recent years, art has shown an unprecedented boom. The various art trends of East and West, tradition and modernity, the competition of fine art styles, the traditional painting, architecture, sculpture and modern installation art, the performance art, the concept art, the peaceful coexistence of video art , Dry emerge a school “prosperity ” scene. Behind this kind of “prosperity,” deep hidden problems and crises. Among them, the loss of fine arts criticism in the development of contemporary art is one of the major problems. In fact, the loss of fine arts criticism has always been an issue that the arts circles are calling for. It is mainly manifested in the following two aspects: