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《大宅门》是一部让人轻易不敢评说的戏。因为据说它是用当今最先进的什么“数字高清晰度”拍的,并且“集导演40年心血于一身”,“汇集着国内诸多的影视红星”(见相关报道)。连张艺谋、陈凯歌都被请出来玩票,中国电影界其他工种的头头脑脑们自然更是爱谁谁了。能有这么大的谱儿,据说是因为该剧导演郭宝昌是中国第五代电影导演的头儿(老大哥?),这就更有点儿吓人了。不过,也就是根据这么个信息,我终于敢放胆评说。首先,“第五代”是过气的一代。他们
“House Gate” is a dare to comment on the play. Because it is said to be what the most advanced digital high-definition today, and “set director 40 years of painstaking efforts”, “brings together many domestic movie star” (see related reports). Even Zhang Yimou, Chen Kaige have been invited to come out to play tickets, other types of work in the Chinese movie industry who naturally prefer to love who. To have such a big spectrum is said to be because the play director Guo Baochang is China's fifth-generation film director's head (Big Brother?), Which is even more scary. However, that is based on such information, I finally boldly comment. First of all, “the fifth generation” is a generation that is over-produced. they