纹样的清晰与神秘,总是那么令人难以琢磨得透。对纹的运用与发挥,从而有了更为自由广阔的空间。眼前的来宾纹石,中部勺子状无纹的浮雕图形,在这一角度形态中自然成为了区隔两边纹线的轴线;右侧纹样较多,从顶部由上而下密密地泻下;左侧的纹样略少,上部大片无纹,几条纹线从边缘处悄悄引出,至 Clear and mysterious pattern, always so hard to figure out thoroughly. The use of the pattern and give play, so there is more freedom and vast space. In front of the guest serpentine, the central spoon-shaped pattern without embossed graphics in this perspective naturally become the axis of the line separating the two sides of the pattern on the right side of more from the top densely spilled from top to bottom; Slightly less left of the pattern, the upper part of no pattern, a few lines from the edge quietly lead to