三月,烂漫山花,含苞待放;六月,平静湖面,渔船漂荡;十月,金色小巷,马车启程;十二月,素裹街头,火树银花……柴科夫斯基的《四季》画面,展现在十根手指和八十八个黑白琴键间。一场以黑与白、升与降、刚与柔、喜与悲为内容的考核,从我第一次揭开琴罩、摆正琴凳起,就萦绕在我身边,推动着我前进——一切随着“四季”而变化。 In March, the rolling mountain flowers, budding to be released; June, the calm lake, fishing boats drift; October, the golden alley, carriage departure; December, wrapped in the streets, fireworks Yinhua ... ... Tchaikovsky’s “Four Seasons” The picture shows up between ten fingers and eighty-eight black and white keys. A black and white, ascension and descent, just with soft, joy and sadness as the content of the examination, from the first time I opened the piano cover, put the piano stool, linger around me, and promote me forward - Everything changes with “Four Seasons”.