如果说只靠拍电影生活,王家卫肯定已经饿死了,因为为导演,他的产量实在太小了。他这种几年断断续续拍一个片子的导演在世界范围内也不是很多。但他却拥有很多让人羡慕的好机遇,作为有着鲜明个人风格的导演,他早期的作品比同时代的香港导演们拥有更多的文艺味道,这和他成长的60年代有很大的关系,那个时代整个世界充满荷尔蒙的气味,法国、欧洲、美洲四处在开始着革命,年轻人走上街道,去和军警对抗,而新思潮的出现也影响了王家卫。更能体现其无敌运气的时候,当王家卫的个人风格开始走向极致的时候,恰好是整个小资情调开始无限弥漫的时候。 If only by filming life, Wong Kar-wai must have starved to death, because the director, his output is too small. He is not the director of a film that has been on and off for several years in the world. But he has many envious opportunities. As a director with a distinctive personal style, his early works have more literary taste than contemporary Hong Kong directors, which is closely related to his growth in the 1960s At that time, the entire world was full of hormones. France, Europe and the Americas were beginning a revolution everywhere. Young people went to the streets and confronted the military and police. The new trend of thought also affected Wong Kar-wai. To better reflect its invincible luck, when Wong Kar-Wai’s personal style began to the extreme, it is precisely the beginning of the entire petty bourgeoisie infinite infallibility time.