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西方美学史上长期居于主流地位的摹仿说,主要适用于西方写实主义风格的古典艺术,不适用于二十世纪以来西方形形色色的先锋艺术的发展,也不适用于非西方的中国古典艺术。阿瑟·丹托认为摹仿说的实质是把艺术作品降低为它的内容。丹托创立的艺术界理论,建立在先锋艺术基础之上,包含了“普通物品的变容”、“观看方式的变化”、“艺术家和观众之间的默契”等内容,意在取代已经过时的摹仿论。丹托艺术界理论,拓展了西方美学的阐释范围,为探索西方近期美学前沿理论和中国本土美学思想之间的相通相近之处,延伸了前行的可能性路径。这些理论能否传之久远,如同先锋艺术一样,还有待于历史的发展来进一步验证。
Imitation that has long been in the mainstream in the history of western aesthetics states that classical art, which is mainly applicable to Western realism style, is not applicable to the development of avant-garde arts of various forms in the West since the 20th century, nor to the non-Western Chinese classical arts. Arthur Danto argues that the essence of imitation is to reduce the work of art to its content. Danto’s theory of the art world is based on avant-garde art and contains such contents as “the transformation of common objects”, “changes in viewing styles”, “tacit understanding between artists and audiences” , Intended to replace the already obsolete imitation theory. Danto’s theory of the art world extends the range of interpretation of western aesthetics and extends the possibility path for exploring the similarities between the western frontier aesthetic theory and Chinese indigenous aesthetics. Whether these theories can be passed on for a long time, like avant-garde art, remains to be further verified through the development of history.