要继承传统,必须发掘传统。但对发掘出来的东西,不能一丝不动地都接收过来。继承,还要经过批判、革新和创造,就是说要经过“推陈出新”。我们戏曲艺术提倡发掘流派,这从一个人及其所演的首本戏到一种唱腔,一种表演程式,都要很好发掘出来,但并非要把它全部保存下去。这里需要选择。而决定保存下去的流派,也并非原封不动地保存下去,需要进行一些改造、加工和创造。所以,不是说,流派或“首本戏”之类,是动它不得的。当然,在发掘的初期,多照顾流派本来的面目是需要的;而动它的时候,也不能操之过急,甚 To inherit the tradition, we must explore the tradition. However, what is discovered can not be received without any movement. Inheritance, but also through criticism, innovation and creation, that is to go through “innovation.” Our art of drama advocates the excavation of genres. It must be excavated well from a man and his first play to a kind of singing and a performing program, but it is not necessary to preserve it all. Need to choose here. The schools that decide to preserve are not preserved intact and require some transformation, processing and creation. So, not to say that genre or “the first opera ” and the like, is moving it. Of course, in the early stages of excavation, it is necessary to take more care of the genius of the genre. When moving it, we should not rush too quickly.