从《孔雀》《立春》到《最爱》,顾长卫用三部影片刻画了大时代下小城镇中的三位女性命运,并以个性化的叙述者以及众人围观场景塑造了不断挣脱束缚,渴望困境出逃的女性生存寓言,为中国电影提供了蓝、黄、红三种极具色彩感的女性形象。 From “Peacocks” to “Spring” to “Favorite”, Gu Changwei portrays the fate of the three women in the small towns under the great era in three films. With personal narrator and crowd watching scenes, Feminist survival fable fleeing allegorical, for the Chinese film provides a blue, yellow, red three highly colorful female image.