精神产品的商品化倾向,是文艺界出现精神污染的一个重要原因。这几年,我们有的同志,为了追求“票房价值”(包括订户、销量),不惜迎合形形色色落后的社会需要,去搞那些荒诞离奇、趣味低级的东西,将文艺的社会主义方向置于脑后。问题的实质显然是“一切向钱看”,有人却喜欢用一些似是而非的理论来解释。比如认为,“票房价值”反映了人民群众对艺术品的评价,是社会实践对艺术质量检验的标尺,“票房价值”愈高,表明艺术品的质量愈好,“尊重实践,尊重群众,就应该尊重‘票房价值’”。按照这样的观 The tendency of the commercialization of spiritual products is an important reason for mental pollution in the literary and art circles. In recent years, some of our comrades, in pursuit of the “box office value” (including subscribers and sales volume), clung to all kinds of backward social needs and engaged in absurd bizarre and low-interest things and placed the socialism direction of literature and art in the brain Rear. The essence of the problem is obviously “everything looks for money,” but some people like to use some plausible theories to explain. For example, “box office value” reflects the evaluation of artworks by the masses of the people and is the yardstick for social practice to test the quality of art. The higher the box office value, the better the quality of artworks. The principle of "respect for practice and respect for the masses Should respect ’box office value’ ’. According to this view