我想很多人都不得不开始承认亚洲美术正在受到全世界的瞩目。但是实际上,很多人在去了解西洋美术之前还对自己邻国的艺术知之甚少。哪怕只是填补这个认识上的隔阂,我希望可以在下面一气呵成的简短文稿中,概观日本现代美术①的发展流程。在这里,我暂且把引导日本战后美术史从“价值观的变迁”引向“多样化境界”的两种原动力假称为“文化的混淆性”、“私人的个人主义”。 I think many people have to begin to admit that Asian art is attracting worldwide attention. But in fact, many people know very little about the art of their neighbors before they learn about Western art. Even if it is only to fill this gap in understanding, I hope I can summarize the development process of modern Japanese art in the brief draft below. Here, for the moment, I will call the two impetus for the motivations that led Japan’s art history after the war from “changes in values” to “diversified realms” into “cultural confusion”, “private individuals Doctrine ”.