从上个世纪九十年代中期以来,随着知识分子将视角从八十年代前后对乡土民俗的关注转而投向蓬勃发展着的都市化问题,城市民俗生活成为中国社会一个文化聚焦点。人们把冯小刚称为中国都市民俗电影的代表。解读他的《手机》、《甲方乙方》、《大腕》等一批贺岁电影作品,我们发 Since the mid-1990s, as the intellectuals shifted their focus on local customs from the 1980s to the booming urbanization, urban folk life has become a cultural focus of Chinese society. People call Feng Xiaogang a representative of a Chinese urban folk movie. Interpretation of his “mobile phone”, “Party B”, “big names” and a number of New Year’s films, we made