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澳大利亚土著作家亚历克西斯·赖特在2006年发表了新作《卡彭塔利亚湾》,引起了广泛反响和热烈讨论。许多白人评论家认为赖特的成功源于她对西方文学传统的遵循,而本文则以后殖民理论中的“混杂性”概念为观照,细致分析了这部作品语言和叙述方式的土著文化特点,以及它所展现的澳大利亚土白族群之间彼此依存、不可分割的矛盾关系,并认为赖特在其艺术想象中成功解构了边缘与中心的界限,恢复了土著文化在多元共存的澳大利亚社会中的地位和话语权,重构了一个具有混杂性的澳大利亚民族-文化身份。
Australian novelist Alexis Wright published a new book “Carpentaglia Bay” in 2006, which has aroused widespread repercussions and heated discussions. Many white commentators think Wright’s success stems from her adherence to Western literary traditions. This article, however, is contrasted with the concept of “mixedness” in colonial theory and analyzes the indigenous culture of the language and narrative style of the work Characteristics and the interdependent and indivisible relations among the native peoples in Australia. It also considers that Wright succeeded in deconstructing the boundary between the periphery and the center in his artistic imagination and restoring the indigenous culture in the pluralistic coexistence of Australian society In a position and the right to speak, reconstructed a mixed Australian national culture identity.