黄山写生,首先是临摹传统,借鉴历代大家笔墨语言,“借古开今”;其次是实写黄山,通过写生黄山,将画面黄山由“不似”向“似”转化;再次是意写黄山,将写生黄山由“似”向“不似之似”转变,进而将作品与作者、风景、时代和谐统一起来,将写生黄山与作者精神、黄山精神、时代精神者融为一体,创作出大美黄山作品来。 Huangshan sketching, the first copy of the tradition, drawing on the pen and ink language in ancient history, “borrow the ancient open today ”; followed by writing Huangshan, Huangshan by painting, the picture Huangshan from “not like ” to “like ” into ; Once again, it is intended to write the Huangshan Mountain and transform the Huangshan Mountain from the “likeness” to the “not likeness”, and then harmonize the works with the author, the scenery and the times, Integrating the spirit of the times, creating the works of the Great Huangshan.