以传统的小说模式来衡量《桥》,我们会发现《桥》以游离于小说的边缘姿态,构成了对传统小说模式的挑战,使我们不得不首先面临一个问题:《桥》究竟是小说呢,还是貌似小说的别种文本? 且看废名自己现身说法:“我写小说同唐人写绝句一样,绝句二十个字,或二十八个字,成功一首诗,我的一篇小说,篇幅当然长得多,实是用绝句方法写的,不肯浪费语言。”在字面上,废名似乎特别注重绝句 By measuring the “bridge” in the traditional novel mode, we find that the “bridge” detached from the edge of the novel poses the challenge to the traditional novel mode, so that we have to face the first question: is “bridge” a novel? , Or seemingly novel of the other kind of text? Look at the fame of their own appearance: “I wrote novels with the same Chinese write quatrains, quatrains twenty words, or twenty-eight words, a successful poem, a novel, Of course, the length of much longer, it is actually written with quatrains, refused to waste language. ”Literally, Fei Ming seems to pay special attention to quatrains