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黑格尔在《美学》中比较充分地论述了抒情诗的主体性、个性、主客观统一性、内容与形式的统一性及超越性问题,总结黑格尔的抒情诗理论即:以心观心。若同时观照中国文论中的“情景交融”说,从比较视野来看,黑格尔的抒情诗理论则过于强调了人的主体性,这不适合抒情性作品、尤其是中国古典抒情诗的创作状况和艺术追求。
In Hegel’s Aesthetics, Hegel discusses the unity, transcendence and subjectivity of the subjectivity, individuality, subjectivity and subjectivity of the lyrics, the unity and transcendence of the content and the form, concludes that Hegel’s lyric theory is: heart. If we simultaneously observe the “blend of scenes” in Chinese literary theory, Hegel’s lyric theory stresses too much on the subjectivity of man from a comparative perspective, which is not suitable for lyric works, especially the classical Chinese lyricism Poetry creation and artistic pursuit.