文字组合的视觉美,在今天印刷体刊行的以状物达意为使命的文学作品中已无关紧要到几乎可以忽略不计,但在中国古代文学作品中,这个问题则显得颇为突出。这是因为汉字不同于表音文字,它具有相当的图案性,所谓“书画同源”。古代繁体汉字中,有的笔画少,有的笔画多,加之古代文学作品多用毛笔书写,与书法结合得很 The visual beauty of the textual composition is insignificantly negligible in literary works that are printed in print today in the sense of goodwill. However, in Chinese ancient literary works, this issue is quite prominent. This is because Chinese characters are different from phonograms, it has a considerable pattern, the so-called “calligraphy and painting homology.” Ancient traditional Chinese characters, and some strokes less, and some more strokes, combined with the ancient works of art with more brush writing, and calligraphy combined very