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家族普遍的短寿引起韩愈的生存恐惧,由此而特别关切自身,其诗中出现大量身体词汇,显示出对身体器官组织的特殊嗜好。最著名的是关于牙齿的书写,其《落齿》诗标志着唐元和时期某种身体书写的转向。韩诗爱写极端的气候体验、丑怪的动物、令人焦灼烦躁的声色气味、血腥的杀戮,表现出基于身体立场的病态物感,即痛感的审美。“火”与“刀”为偏旁的文字所体现的语言风格,代表韩诗痛感审美的两大类型。韩愈将写作痛苦视如一种自我虐杀,将艺术创作和欣赏中抽象的心智概念置换为具体的身体器官,将写作看成语言对物象的暴力斫刻。韩诗身体书写的意义在于对陈言套语的反击,使之重新获得语言的物质性和鲜活感性。韩诗提供了关于身体与风格之关系的研究路径。
The widespread short-lived family led to the fear of survival of Han Yu, thus giving special attention to themselves, a large number of body vocabulary appeared in his poems, showing a special hobby of body organs and tissues. The most famous one is about the writing of teeth. The poem of “tingling” marks the turning of some kind of body writing during the Tang and Yuan dynasties. Han poetry love to write extreme climate experience, ugly animals, anxious irritability, scent, bloody killing, showing the body based on the sense of illness, that is, the pain of the aesthetic. “Fire ” and “knife ” for the radical language embodied in the language style, on behalf of the two types of painful aesthetics of Korean poetry. Han Yu painful as writing a self-described as a killing, the art of creation and appreciation of the concept of abstract mind replaced by a specific body organs, the writing as a language of the violence of the moment. The significance of the writing of the Han poetry lies in the counterattack of the Chen language, so that it can regain the materiality and vividness of the language. Korean poetry provides a research path about the relationship between body and style.