从’98天津春季文物展销会看古玩书画市场前景

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市场与鉴藏 就市场形式而言,大大小小、形形色色的各种拍卖活动,活跃了艺术市场、促进了公共及私人的收藏。天津市文物公司组织的几次文物展销会,同样是繁荣艺术品市场,满足海内外收藏家需求的市场交流和交易的一种盛会。 近年来,东南亚和港台经济尚未完全复苏,正当国内某些收藏领域行情走低的形势下,’98天津春季文物展销会。由於组织者对参展商品的结构作了恰当的调整、价格档次适合不同层次文物收藏家的购买能力,值得称道的是他们推出适销对路的热点商品,最终还是取得了满意的成绩,并对天津地区艺术品的健康流通产生积极的影响。 施禀谋先生是一位活跃於深圳、香港地区的民间工艺美术家,其在俏色雕刻上所取得的成就,本栏目特邀两位专家撰文评介。作为从事工艺雕刻的民间艺术家,二十余年施禀谋亲手设计制作约三百多件工艺雕刻作品,难能可贵的是这些艺术品,几乎全部被他保存下来作为个人的收藏。过去老一辈从事工艺创作的匠师们,都希望能将自己耗尽毕生心血,而创作比较满意的作品能自己保存下来,哪怕是一、两件也行,但事实都难如愿以偿。真是“三句话不离本行”,从“市场与鉴藏”的角度看,可以说施禀谋不仅是一位多产的工艺雕刻家,也是一位非常富有的收藏家。 MARKET AND JIANZHANG In terms of market forms, various auction activities of all sizes and in various forms have taken an active part in the art market and promoted public and private collections. Several cultural relics trade fairs organized by Tianjin Cultural Relics Company are also a grand occasion for prospering the art market and meeting the needs of collectors both at home and abroad for market exchanges and transactions. In recent years, Southeast Asia and Hong Kong and Taiwan economy has not fully recovered, just as some of the domestic collection market conditions lower, ’98 Tianjin Spring Heritage Fair. As organizers of the structure of exhibitors made the appropriate adjustments, the price level for different levels of cultural relics collector’s purchasing power, commendable is that they launch marketable hot products, and ultimately achieved satisfactory results, and Tianjin The healthy flow of regional art products has a positive impact. Mr. Shi Bingmou is a folk arts and crafts artist active in Shenzhen and Hong Kong. His achievements on the pretty color sculpture are specially invited by two experts of this column for his review. As a folk artist who engaged in carving of craftsmanship, Shi Bing-ming personally designed and made about 300 pieces of craft carving works in more than 20 years. What is commendable is that these works of art are almost all preserved by him as a personal collection. Past craftsmen who used to work in the older generation all hoped to exhaust their life-long work, and the more satisfactory works could be preserved by themselves. Even the first and second workmanship could not be fulfilled. Really “three sentences not far from the Bank,” from the “market and jiancang” point of view, it can be said that Shi Bingmou is not only a prolific craft sculptor, but also a very rich collector.
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