论文部分内容阅读
北京故宫博物院的佛像藏品中,有一尊祖师像极为引入注目(图版四)。此像高34厘米,为红铜片拍打而成,外表鎏金。祖师右手施说法印,左手施禅定印,跏趺坐于三层座垫之上,面容清癯,皱纹满布,慈颜含笑,双耳直立,一副饱经沧桑但意志坚定的睿智老者形象。肥大的袈裟裹住全身,下摆垂落于座垫之上,线条流畅生动。从其面部表情的栩栩如生以及内在气质的强烈感染力上可以找到15世纪以来典型的西藏风格祖师像模式,但是从一些工艺特点,如
In the collection of statues of the statues in the Palace Museum in Beijing, there is a patriarchal figure that attracts great attention (Plate 4). This image is 34 cm high, made of red copper flake, the appearance of gold. Patriarch Shi said the right hand impression of India and India, the left hand Zen stereotypes, sitting on the three-tier seat cushion, face clear, wrinkled covered, Tsz smile, ears upright, but a vicissitude of the vicissitudes of the firm determination of the wise old man image. Masturbation wrapped around the body, hem hanging on the seat cushion, smooth lines and vivid. From the lifelike facial expression and strong appeal of inner temperament can be found in the typical Tibetan-style patriarch pattern since the 15th century, but from some of the characteristics of technology, such as