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三十二岁的美术工作者茹菲亚,为了摆脱个人生活的不幸所造成的痛苦,决定离开布达佩斯来到乡间,为圣·克赖斯特夫教堂修缮古画,却在无意之中发现了教堂地下室的奥秘。在茹菲亚协助下,神父经过激烈的思想斗争,终于揭开教堂的秘密,使一箱沉睡了三十年的稀世珍宝重又见到了天日。这就是当代匈牙利女作家高·伊丽莎白的中篇小说《圣·克赖斯特夫教堂》(载本刊1983年第3期,以下简称《教堂》)的故事梗概。乍看起来,这好象是一部“探宝记”、“觅宝记”之类以情节取胜的小说,其实不然。作者的匠心并不在于挖掘地下室里的宝藏,而是要着力描绘一个受了伤害的年轻人的心灵,如何
Rufiya, a 32-year-old fine art worker, decided to leave Budapest to the countryside and repair the ancient paintings for the Church of St. Christopher in order to escape the pain caused by the misfortune of her personal life. Mystery of the basement of the church. With the help of Rufiya, the Father, after intense ideological struggles, finally uncovered the secret of the church and saw a box of rare treasures which have been asleep for thirty years. This is the outline of the story of the contemporary Hungarian woman writer High Elizabeth’s novel “St. Christopher’s Church” (contained in Issue 3, 1983, hereinafter referred to as the “Church”). At first glance, it seems like a treasure trove of “treasure”, “treasure” and other plot to win the novel, it is not. The author’s ingenuity is not to dig the treasure in the basement, but to focus on depicting the heart of a young man who has been hurt, how