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在后期创作的斯诺普斯三部曲中,威廉·福克纳隐晦而又多维地展示了女主人公尤拉·瓦纳的物化女性身份。从尤拉物化身份的早年塑形和成年后物化身份的施魅,再到尤拉商品化女性身份的悲剧结局,尤拉物化身份的渐进呈现不但从更高层面呼应了美国南方特定历史时期的男权秩序和性别政治,也体现了作家在历史变革的宏大语境中对于根深蒂固的男权话语体系和现代工商业文明交织影响下的女性悲剧宿命的独特把握。
In the latter part of the creation of the Snowops trilogy, William Faulkner vague and multi-dimensional display of the heroine Yula · Wana physical and chemical identity. From the early shaping of Jura physicochemical identity and the admiration of physicochemical identity after his adult life to the tragic ending of Yura’s commercialized female identity, the gradual presentation of Jura physicochemical identity not only echoed the higher historical level of the specific history of the United States The patriarchal order and gender politics also reflect the unique grasp of the tragic fate of women under the influence of the deeply rooted patriarchal discourse system and the modern industrial and commercial civilization in the grand context of historical change.