本·琼生的闻名一半是靠莎士比亚的提携,一半是靠他自身文学的修养与积累:他在戏剧方面对古典戏剧有继承有创新,他自创情节,开创了英国“性情剧”;他的诗歌一改叙事诗和十四行诗的体裁,警句体、挽诗、信体诗等多种体裁,题材上也有多个创新,如亲情诗和乡间别墅诗等。然而,一朝出名并非意味着享誉终生,17世纪即琼生曾经生活的世纪,人们对其作品的接受就有了较大落差,从褒扬到贬斥。文章详细综述并探讨了这种批评走向,加以实例分析了琼生诗歌的独创性,提倡客观公正地评价琼生的作品,特别是其诗歌作品。 Ben Johnson’s reputation was partly based on the support of Shakespeare and half on the accomplishment and accumulation of his own literature: he inherited and innovated the classical drama in theater, and he created the British “sexual drama” His poems changed his genres such as narrative poems and sonnets, aphorisms, elegiac poems and letters and poems. There were also many innovations on topics such as family love poems and country house poems. However, once famous, it does not mean that it enjoys a lifelong lifetime. In the century when Joan gave birth to life in the 17th century, there was a big gap in the acceptance of his works, from praising to denigrating them. The paper reviews and discusses in detail the trend of this criticism, analyzes the originality of Joan’s poetry by examples, and advocates the objective and fair evaluation of Joan’s work, especially his poetry.