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1998年,台北的一个SOHO族广告人、插画作者开始了他的个人绘本创作。这个习惯吃素的70年代人,旋即红透台湾。3年后,他的绘本以摧枯拉朽之势席卷国内图书市场,先后被改编为多部影视作品,并成为白领以及学生族津津乐道的交流话题,成为广大报刊杂志屡盗不爽的万能插图,成为大街小巷伪劣文具用品用以吸引眼球的时髦招牌。2006上海双年展,观众川流不息。而在他的系列作品《四季》前,人们对着大块大块的鲜亮色彩,对着那些涂满黑色颜料而没有任何图案的画,长久地驻足凝思。
In 1998, a SOHO advertising artist and illustrator in Taipei began his personal picture book creation. This 70-year-old who was accustomed to vegetarianism immediately passed through Taiwan. Three years later, his picture books engulfed the domestic book market with devastating influences, and was successively adapted into multiple film and television works. He became a talking topic among white-collar workers and students, and became a universal and omnipresent illustration of newspapers and magazines. Alleys and shoddy stationery used to attract eyeballs. At the 2006 Shanghai Biennale, the audience continued to flow. Before his series “Four Seasons”, people face long-term meditation in bright colors of large blocks, and those paintings that are covered with black paint without any patterns.