最近是北京的金秋9月,汇聚了两个关于中国人物画的大展,一个是北京画院展出的的“笔砚写成七尺躯——明清人物画的情与境”;另一个是势象空间主办的“人道之光——蒋兆和文献展”。中国人物画成为这个秋天的焦点。中国传统画史上最早成熟的画科当属人物画。人物画的出现起初是为了行辅佐教化、祭祀纪念等功能,而这些功能到明清之时亦有所 It was the golden autumn of Beijing in September which brought together two exhibitions on Chinese figure painting. One is the “Seven-footer - Painting and Painting of the Ming and Qing Dynasties” written by Beijing Art Academy; the other is “ One is the ”Space of Humanity - Jiang Zhao and Literature Exhibition" sponsored by Potential Space. Chinese figure painting became the focus of this fall. The earliest mature painting in the history of traditional Chinese painting was a portrait painting. The appearance of the figure painting was originally for the sake of teaching aids, memorial sacrifices and other functions, and these functions to the Ming and Qing dynasties also have