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望文生义地认为伽达默尔的解释学美学也是一种读者中心理论,这是20世纪西方美学史研究的一个严重失误。本文希望通过对伽达默尔美学思想的详细分析,还其理论一个真实的面目,认为伽氏的美学研究是其本体论哲学解释学的一个组成部分。通过对他的思想理论中三个关键词的分析,认为无论是他对理解的历史性的强调,还是对艺术游戏本身特点的着重论析,最后都落实到对真理的关注,并通过对存在真理的关注,使艺术的意义得以开启。这其实才是伽达默尔美学思想的核心。
Wang Wen-sheng justified that Gadamer’s hermeneutic aesthetics is also a reader-centered theory, which is a serious mistake in the study of western aesthetic history in the 20th century. This article hopes that through a detailed analysis of Gadamer’s aesthetic thoughts and a true facet of his theory, he holds that Gyalwa’s aesthetic study is an integral part of its ontological philosophical hermeneutics. Through the analysis of the three key words in his theory of thought, he believes that no matter whether he emphasizes the historical emphasis of understanding or the characteristic of the art game itself, he finally concludes his attention to the truth, The attention of truth enables the meaning of art to be opened. This is actually the core of Gadamer’s aesthetic thought.