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托马斯·卡莱尔的《旧衣新裁》因其奇特的结构形式、迂回曲折的说理方法以及通篇充斥着“浪漫反讽”等特点而被称为“最具原创性”的“奇书”。这种挑战性的文风既给读者提供了宽广的阐释空间,也使文本成为一个闪烁不定的难解之谜。本文结合18世纪末和19世纪初欧洲,尤其是英国的历史和文化语境,在细读文本的基础上围绕着“衣服”和“裁缝”这两个中心议题,试图探讨如下几个问题:《旧衣新裁》所作何为?衣服是什么?它为什么要重新裁剪?什么样的衣服才合身?谁是裁缝?谁又是那个新裁缝?
Thomas Carlyle’s “old clothes new cut” because of its peculiar structure, twists and turns of reasoning and throughout the full of “romantic irony ” and other characteristics and called “most original ” Odd book “. This challenging style not only provides readers with a broad range of interpretation space, but also makes the text a fickle mystery. Combining the historical and cultural contexts of Europe in the late 18th and early 19th century, especially in the United Kingdom, this paper tries to explore the following issues on the basis of careful reading of the text: ”Clothes“ and ”Tailor“ A question: ”old clothes new cut" what is done? What is the clothes? Why cut it again? What kind of clothes fit? Who is the tailor? Who is the new tailor?