纵观当今中国写意花鸟画发展之状况,从中不难看到诸多画家在对笔墨的创新和探索中,产生出了一批面目多样的作品,并以此带来了看似繁荣的画坛景象。(从1985年后几届全国性花鸟画展可得到反映)但冷静地分析看来,大部分作品由于境界及观念上的贫乏而缺少精神与文化的涵量,注重笔墨形态的表象求新而缺乏作品深层的创意已成为当前写意花鸟画创作 Looking at the current situation of the development of Chinese freehand bird and flower painting today, it is not hard to see that many painters have produced a number of varied and varied works in the innovation and exploration of ink and brush, thus bringing about the seemingly prosperous painting scene. (Since 1985, after several national flower and flower painting exhibition can be reflected) However, calm analysis, most of the works because of the lack of realm and concept of the lack of spiritual and cultural content, pay attention to the appearance of the pen and ink shape and lack of innovation Deep creative works have become the current freehand flower and bird painting creation