目前,中国画之当代人物画教学公认的大致可分为两大系统。一个系统,即以中央美院的蒋兆和水墨人物画教学系统为代表的北方人物画教学体系。这个系统偏重于以西方素描写生为手段,以准确的人物造型为基础,结合中国古典人物画中偏重于形似的写真类型(如明代的波臣派曾鲸),偏重于人物自身结构而不依赖外在光影的方式,作水墨人物画 At present, Chinese painting’s contemporary figure painting teaching generally recognized can be divided into two major systems. One system is the Northern figure painting teaching system represented by Jiang Zhao of the Central Academy of Fine Arts and the ink painting teaching system. This system is mainly based on the means of sketch sketching in the West and on the basis of accurate characterization. With the emphasis on the pictographic types in Chinese classical portraits (such as the Baudrillard’s whale in the Ming Dynasty), the system emphasizes on the structure of the characters without any dependence on them External light and shadow way, as ink painting characters