如果说《重屏》是本力图在“原境”(context,或译为“上下文”)中考察中国古代绘画的著作,那么,关于本书的感想同样不能不考究评论的缘起和用意——也许,脱离了讨论问题的上下文就没有问题可言了。就拿《韩熙载夜宴图》这幅相传为五代画家顾闳中之笔的名作来说吧——《重屏》一开始就花了很多篇幅来讨论这幅画——围绕着其富于 If we say that “redrawing” is an attempt to examine the works of ancient Chinese painting in “context” or “context”, then the feeling of the book can not but be judged by the origin of the remark And the intention - perhaps, there is no problem leaving the context of the discussion. Take the “Han Xizai Banquet map” this legend is said to be five generations of painters Gu Xun of pen masterpieces - “heavy screen” spent a lot of space to discuss the picture from the beginning - around its rich