在杨福东的新片中,满屏衣着单薄的迷人少女们闪耀着——《天色:新女性Ⅱ》回避了在旧女性身上发生了什么这一问题。它本就属于一个作品系列,正如拉康理解下的男性性行为是一系列无穷尽的单次邂逅,感觉上从不重复,但从表面看来却显得低劣而病态。而在杨福东作品中的男性目光则被全心信奉、欣然接受,无论带有批判性与否。性感少女们在闪烁着微光的窗玻璃 In Yang Fudong’s new film, full of thin, glamorous girls dress up shining - “Heaven: New Women II” to avoid what happened to the old woman on this issue. It would have belonged to a series of works, just as Lacan understands that male sexual behavior is a series of endless single encounters that never repeat, but apparently seem inferior and pathological. However, the male eyes in Yang Fudong’s works are devotedly accepted and readily accepted, no matter whether they are critical or not. Sexy girls in the gleaming glass window