澳大利亚传统庆典仪式曾一度是土著音乐和舞蹈的原始语境,即使庆典仪式活动在大多数的地区已严重受到侵蚀。随着祭祀权威的逐渐衰落,这种论断无疑是将原始的表演传统与当代的仪式模式做了有问题的区分。基于氏族阶层信仰体制之上的旧有仪式,成为前殖民时期的错误遗存。土著节庆仪式一方面承载着氏族基础的庆典仪式,另一方面它也成为地方庆典的全球化文化表演之外在消费形式。衰退的仪式,其功能也为旁物取代,这已在土著地区迅速蔓延。为论证于此,亦即验证庆典仪式和节庆仪式之间的特殊关系,笔者将考察澳洲北部Lajamanu地区中的Warlpiri之转变。 Traditional Australian ceremonies were once the original context for indigenous music and dance, even though ceremonial ceremonial activities have been severely eroded in most areas. With the gradual decline of ritual authority, this assertion undoubtedly made a distinction between the original performance tradition and the contemporary ritual pattern. The old ceremony based on the clan faith system became the false legacy of the pre-colonial period. On the one hand, indigenous festival rituals carry the clan-based celebration ceremony, and on the other hand, they also become the consumption forms in addition to the global cultural performances of local celebrations. The recession ritual, whose function was also replaced by a paragon, has rapidly spread in indigenous areas. To demonstrate here, that is, to verify the special relationship between the ceremonies and celebrations, I will examine the transformation of Warlpiri in the Lajamanu region of northern Australia.