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在王鲁炎的设计方案中,锯齿间的碰撞、磨合、嵌入、切割构成了复杂的关系网和运转模式,锯齿的摆放方式和位置都遵照着精密的设计要求和规范,逻辑化的表象下面是对物象间悖论关系的考量。表面上看,问题的提出是发散性的,涉及物象的不同维度、拥有广阔的外延,但实际上,这些问题仿佛都处在一个回音壁中,质疑与批判不断击打着物象自身的存在,更像是一种内在的怀疑,甚至是自我毁灭。
In Wang Luyan’s design, the collision, in-between, inset and cut between sawtooths constitute a complex network of relationships and modes of operation. The arrangement and location of sawtooths follow the precise design requirements and specifications. The logical representation is as follows Consideration of the Paradoxical Relationship between Images. On the surface, the issues are divergent, involving different dimensions of objects and images, and have broad expansions. However, in fact, these problems seem to be in a whispering gallery, and the questioning and criticizing constantly strike the existence of the object itself. More like an inherent suspicion, or even self-destruction.