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相对于中国现代严肃文学主流的强大声势,轻松化写作成为一种自然而必要的纯文学本体诉求,在一定意义上,它既有效舒缓了严重时代情势对刚诞生的现代文学所赋予的沉重压力,给其健全生长提供相对的空间,同时也藉加强文学本体的娱乐消闲功能而大大提升了其“现代”品位,从而尽可能地弥补因过重的思想承负而引起的文学性萎缩。本文通过《语丝》、《骆驼草》、《论语》轻松化写作观念演变之考察不仅为重读文学史提供一种新视角,同时对正确理解当下文学现状也不无某种启示。
Relative to the strong momentum of the mainstream of modern serious Chinese literature, ease of writing becomes a natural and necessary aspirations of the purely literary body, in a certain sense, it effectively relieve the heavy pressure placed on the newly emerging modern literature in a serious era , To provide relative space for its sound growth. At the same time, it also greatly enhances its “modern” taste by strengthening the entertainment and leisure functions of literary noumenon so as to make up for the literary atrophy caused by overly heavy ideological burden. The study of the evolvement of writing concepts through the language of Yu Si, Camel Grass, and Analects of Confucius not only provides a new perspective for rereading the history of literature, but also provides some enlightenment for the correct understanding of the current situation of literature.