最近在《中国文化报》上读到一篇题为《动漫产业出处何在》的文章,其中谈道:“中国‘文以载道’的传统至今还约束着本该能释放最大想象力的卡通,动漫作品一直被当作教育孩子的最佳工具,寓教于乐的目的性总是会给创作者套上枷锁。”我有点想不通,“文以载道”的传统怎么一定会限制创作者想象力的发挥呢?“寓教于乐”怎么会成为套在创作者脖子上的“枷锁”呢?难道动画创作和产业的“出路”就是要否认和取消它的社会教育作用吗? 中国动画(或称“动漫”)的社会功能 Recently read an article in the “China Culture Daily” titled “Where is the Origins of the Cartoon Industry?” In which it said: “The Chinese tradition of” carrying the text to the people “still restricts cartoons that should have released their greatest imagination so far , Animation works have always been regarded as the best tool for educating children, and the purpose of entertaining always puts the shackles on the creators. ”I’m a little puzzled, how the tradition of“ writing with words ”will definitely limit the creation Imagination to play? “Entertaining” how will become set in the neck of the creator of the “chains” it Is the animation and industry’s “way out” is to deny and cancel its social education role? China Animated (or “anime”) social function