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中国小说家巴金(1904—)与美国剧作家尤金·奥尼尔(1888—1953),在文艺创作中有一个共同的题材,就是写家庭悲剧。巴金写了他的《激流三部曲》:《家》、《春》、《秋》,虽然他在总序中说:“生活并不是悲剧,它是一场搏斗”,然而在《家》、《春》、《秋》中所表现的爱与恨、欢乐与痛苦、生与死、呻吟与愤怒确实充满了当代悲剧意识;而且是家庭中的悲剧、巴金的艺术创作具有净化心灵、达到崇高境界的效果。 “寂寞啊！我们底家庭好象是一个沙漠,又象是一个‘狭的笼’(引自《家》11章)。 奥尼尔创作了象《天边处》、《榆树下的欲望》、《长夜漫漫路迢迢》等,以普通人在家庭
Chinese novelist Ba Jin (1904-) and American playwright Eugene O’Neill (1888-1953) have a common theme in the literary creation, which is to write a family tragedy. Ba Jin wrote his “Torrent” Trilogy: “Home”, “Spring”, “Autumn”, although he said in the general preface: “Life is not a tragedy, it is a fight,” but in the “home” Love and hate, joy and pain, life and death, moaning and anger manifested in Spring and Autumn are indeed full of tragedy in the family. It is also a tragedy in the family. Sublime effect. “Loneliness! Our family at the bottom seems to be a desert and a narrow cage (quoted in Chapter 11 of the home). O’Neill created works like The Sky, The Desire Under the Elm, Long road 迢 迢 ”, etc., to ordinary people in the family