自1980年代以来,小说历经了所谓现代技法的种种尚新附会,作酷扮秀的新写实、新体验以及先锋派、私语话、意识流等“三无小说”的实验和冲击,使小说滑离了它应有的本体,失去了小说自身的建构规律和结构技巧,使其抽绎了故事,淡化了情节,隐含了人物,剥离了意义,放逐了思想,以至于 Since the 1980s, the novel has undergone various new attachments to the so-called modern techniques. The experiments and shocks of “Three Novels” such as avant-garde, whisper, Lost its own body, lost its own construction of the law and structure of the novel, so that it deduces the story, downplayed the plot, implied the character, stripped of meaning, exile thought, that