四、写意人物画的常用技法(四)以墨为主法。这种方法,是有意识地弱化物体的轮廓线,极化用面,强调用墨的块面感,凸显墨韵的美感。过去,墨只是依附于线;现在,随着墨的功能不断延伸,线与墨形成了互衬的关系。以墨为主法,最具代表性的是泼墨。泼墨,是写意人物画一种特有的、痛快淋漓的表现手法。这种方法,充分利用了水墨在宣纸上相融、相斥的性能,把线的表现力无限放大。泼墨技法大致有两种:一种是只用墨块,有“没骨”的感觉,能较好地体现墨韵;一种是泼墨和勾勒相结合,墨块与线条相映成趣。这种以墨为主的画法,如果掌握不好,就会出现墨中无笔、死墨一块的问题。所以,泼墨时一 Fourth, the common technique of freehand painting (d) to ink-based law. This method is to consciously weaken the outline of the object, the polarization of the surface, emphasizing the block with a sense of ink, highlighting the beauty of ink rhyme. In the past, ink just attached to the line; now, with the continuous extension of the function of ink, ink and ink form a reciprocal relationship. Ink-based law, the most representative is the splash ink. Splash ink, is a unique character painting, vivid dripping expression technique. This method, taking full advantage of the compatibility of ink on the rice paper, repellent performance, the infinite expression of the magnification of the line. There are basically two kinds of ink-jet techniques: one is only using ink sticks, and the feeling of “no bones ” can better reflect the ink rhyme. One is the combination of ink sticking and drawing. If this ink-based painting method is not well-controlled, there will be a problem of ink painting and ink painting. So, when ink one