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一引用这样一个标题,是基于内心对这部历史文献片创作前后的多种复杂感受。完成《去大后方》标示着我们对纪实美学周期性“嬗变”的认识,我将这一过程视为纪录片人的“自决”。实事求是地说,最初想象的没有现在这样复杂。等到拿出为纪念抗战胜利六十周年准备的十五集系列片大纲时,我们才意识到这部“献礼”片,绝非一般。就内容层面上来说,一个个清晰扎实极具戏剧特质的故事让人感动。其中涉及到故宫国宝迂徙、浙大
A reference to such a title is based on a multitude of complex feelings before and after the creation of this historical documentary film. The completion of “Going to the Great Rear” signifies our understanding of the periodic “transmutation” of documentary aesthetics. I regard this process as the documentary’s “self-determination.” To tell the truth, what was originally conceived is not as complicated as it is now. When we came up with a fifteen-episode series of outline films to commemorate the sixtieth anniversary of the victory of the war of resistance against Japan, we realized that this “sacrificial gift” film was by no means ordinary. At the content level, the stories that are clear, dramatic and dramatic are moving. Which involves the Forbidden City treasures migration, Zhejiang University