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大庭美奈子旅居美国长达11年,有着日本本土作家难以获得的外国文化体验。“浓厚的异国情调”是其文学创作的特色之一。自成名作《三只蟹》获得1968年度群像新人奖和芥川奖后,大庭以日本本土作家难得一见的大胆不羁对日本乃至整个亚洲文化圈进行了巧妙的建构。然而,文学中浓浓的异国情调和外国舞台背景无法遮挡作品中东方元素的浓烈气息。本文将从大庭美奈子文学中的建构模式来探讨其文学叙事中的地域叙事特色,以期探悉世界文学框架下大庭文学叙事中的亚洲元素。
Akutagi resides in the United States for 11 years, with a hard-won foreign cultural experience by Japanese writers. “Exotic exotic ” is one of the characteristics of his literary creation. Since the masterpiece “Three Crabs” won the 1968 New Group Award and the Akutagawa Prize, the court made ingenious constructions of Japan and even the entire Asian cultural circle with bold and unruly Japanese rare writers. However, the thick exotic atmosphere in literature and the foreign stage background can not obscure the intense atmosphere of oriental elements in the works. This essay will discuss the regional narrative features in his literary narration from the mode of construction in Minako-pagoda literature in order to explore the Asian elements in the narrative literature of courtroom under the framework of world literature.