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当17世纪的西方艺术家们开始掌握透视知识后,便逐渐出现了具有纵深感的画面,我们的视觉得以不断前进。中国艺术家在营造国画的情境空间时,采用散点透视和空间留白的“虚”处理,体现了国人认识和表现空间的方式偏向意象和平面。在国内美术专业教学中普遍认为具有扎实的实体塑造能力就等同于具有扎实基本功,导致我们只注重研究实体,把空间视为实体的附属,缺乏对空间广泛的、科学的探索。在莫斯科国立苏里科夫美术学
As Western artists of the seventeenth century began to grasp the perspective of knowledge, a deep-seated picture gradually emerged, and our vision continued to move forward. Chinese artists used the “virtual” treatment of scattered perspective and space blanket in creating the context space of Chinese painting, which reflected that the way of knowing and expressing the space of Chinese people was biased toward the image and the plane. It is generally accepted in the domestic art major teaching that having solid physical modeling ability is equivalent to having solid basic skills, which leads us to focus on the study of entities and space as an adjunct to the entity without a broad and scientific exploration of space. National Russian Academy of Fine Arts in Moscow