专家推荐:章燕紫的人物画,一般选取现代女性的鲜活题材,清新纯美的年华,在她的描绘里妥帖到位。她的绘画语言独特别致,构图选择竖条直幅,无背景,无情节,单纯表现人物的美,以线条和墨色取胜。人物造型富有动感且颇有韵味,反映了当代多元文化背景下青年人的审美趣味。从她的文章和画中,都能看出她是一个悟性高、有才情的青年画家。她对周遭事物有敏锐的感知力,有独特的视角和颇具创造性的表现手法。在以四川汶川地震为素材的创作中,为了表现这次天灾给人们带来的撕心裂肺的痛苦和留下的永远无法弥补的创伤,她画了很多汶川孩子的笑脸,撕毁后再拼贴成支离破碎的图像。错位的笑容,缺失的肢体,交错的裂缝,仿佛山谷里回荡着孩子们纯真无邪的笑声,渐行渐远渐弱,令人无不动容。最近的一批静物创作,反映了章燕紫的关注点从客观现实转向了内心世界。她说:“总记得小时候阳光里漫不经心飘浮的小灰尘,晒衣服晒被子时,一拍打就飞扬起来。”虽然描绘的是一些衣服和物件,但是,从她的笔墨中,传递出来的却是一股怀旧的情绪、一种温暖的氛围和一份来自于内心的回忆,情绪宁静而富有意趣。——美术理论家邵大箴 Expert recommendation: Chapter Yan Zi’s character paintings, the general selection of modern women’s lively theme, fresh and pure love, in her dedication in place. Her painting language is unique and chic, with vertical and horizontal selection of composition, no background and no emotionality. It simply represents the beauty of characters and wins with lines and ink. Character modeling is dynamic and quite charm, reflecting the aesthetic taste of young people in contemporary multicultural background. From her essay and painting, she can see that she is a savvy, talented young painter. She has a keen sense of the surroundings, a unique perspective and creative expression. In the creation of the Sichuan Wenchuan Earthquake, she paints a lot of smiling faces of Wenchuan children in order to show the piercing pain caused by the natural disasters and the forever irreparable trauma left by them. Stick into fragmented images. Dislocation of the smile, missing limbs, staggered cracks, as if the valley echoed innocent children’s laughter, drifting away gradually, it is all moving. The latest batch of still life creation reflects that Zhang Yanzai’s focus shifted from the objective reality to the inner world. She said: “Always remember that when you were a child, the small, dusty floating dust in the sunshine spreads when you dry your clothes.” Although her clothes and objects are depicted, her words and expressions are passed It is a nostalgic mood, a warm atmosphere and a memory from the heart, quiet and interesting emotions. - Art theorist Shao Da Zhen