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取材的以偏概全和研究格局的不完善导致了意境研究在艺术学层面的欠缺与不足。这使意境的门类艺术研究和美学研究脱节,导致微观与宏观、抽象与具体、逻辑与历史的脱节。要突破这一困境,必须加强意境的艺术学层面研究。意境的艺术学研究,因其跨学科的特性,弥补了门类艺术层面和美学层面研究视角单一的缺陷,符合意境问题跨学科、多门类存在的实际。另一方面又紧扣研究对象同一性的特点,可在意境审美共性的维度上对多门类艺术的创作实践作艺理归纳。循此路径,可把不同艺术间的意境互动和意境发展史考察结合起来,把意境的审美同一性和不同艺术互动发展的历史进程结合起来。由此,就把意境的美学研究和门类艺术研究衔接起来,解决了微观与宏观、抽象与具体、逻辑与历史脱节的问题,突破了现有的研究困境。
The incompleteness of the material and the incompleteness of the research pattern lead to the lack of and lack of artistic conception in the study of artistic conception. This divides the artistic research of artistic conception into that of aesthetics, resulting in the disconnection between micro and macro, abstract and concrete, logic and history. To break through this dilemma, it is necessary to strengthen the artistic level of artistic conception. Because of its interdisciplinary characteristics, the artistic study of artistic conception has made up for the single defects in the artistic level and aesthetical level of research, which is in line with the reality of interdisciplinary and multi-category of artistic conception. On the other hand, it is also closely linked with the identity of the object of study, which can be used to generalize the creation and practice of many kinds of art in the dimension of aesthetic commonality of artistic conception. Following this path, we can combine the interaction of artistic conceptions and the development of artistic conceptions in different arts, and combine the aesthetic identity of artistic conception with the historical process of the interactive development of different art. As a result, the aesthetic conception of the study and the art of the door link up to solve the micro and macro, abstract and concrete, logic and history of the problem, breaking the existing research dilemma.