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与前人对“物”之感发作用的一般性阐述不同,苏轼对“观物”与“感物”的理解要更为深入,更具层次性,不再仅仅停留在短暂性的感发阶段,而是将其纳入到了创作过程中更为长期的观察阶段。以下我们就从三个方面具体论述苏轼以“物”为中心的艺术观察论。在艺术观察过程中,苏轼提出的第一个基本要求即
Different from the general expositions on the sensation of “things ”, Su Shi’s understanding of “objects ” and “feeling ” should be more in-depth, more hierarchical and no longer just stay In the ephemeral period of sensibility, it is incorporated into the longer-term observation phase of the creative process. In the following we will specifically discuss the three aspects of Su Shi’s “things ” as the center of the art of observation. During the process of art observation, Su Shi put forward the first basic requirement that is