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论文主要探讨在平面绘画的“作者—作品—观众”这么一个公共接受过程里,作者的行为怎样对观众预期视界(经验的框架)的触动。在强调作者与观众的双方主体性,双方的共同作用,既强调作者通过文本与观众的对话过程中,作者行为显现对观众预期视界的考虑就是本文关注的对象,分为两个部分:1、包括了作者创作形成文本的过程的情况,2、包括文本形成后携带的对话性形式。从创作行为与作品的切入点,无疑会直接影响作品存在的社会意义。文章的出发点正在于此,第一章论述了“一种”绘画作品的视觉形式的对话性特点对观众的有关作品预期的作用,作品本身的形象特点引导观众审美的开放性;第二章讲艺术家个体作为一个生产者的角度,建立一种作品多元化的创作行为空间对观众有关作者预期的作用,并阐述了具体的方式与创作态度。 结论:一种包括了作品的开放性形式与形成多元文本 过程的作告行为在促进在架上绘画公共性对话关系实现中是有积极意义的。
The dissertation mainly explores how the author’s behavior touches the audience’s expected horizon (frame of experience) in a process of public acceptance such as “author-work-audience” in graphic painting. In emphasizing the subjectivity of both the author and the audience and the common role of both parties, it not only emphasizes the authors’ consideration of the anticipated horizon of the audience during the process of dialogue with the audience through the text, but also divides into two parts: Including the author’s creation of the text of the process, 2, including the formation of the text after the form of dialogue carried. From the creation of works and the entry point, will undoubtedly have a direct impact on the social significance of the existence of the work. The first point of this article is about the expected effect of the dialogue features of the visual form of “one” paintings on the audience’s related works, and the image features of the works to guide the audience’s aesthetic openness. The second chapter Artist’s individual as a producer, to establish an expected role of the author in the author’s creative space for a diverse range of works of creative writing, and to elaborate the concrete ways and creative attitude. CONCLUSION: A kind of action that includes the open form of a work and the process of forming a pluralistic text is of positive significance in promoting the realization of the dialogues on the commonality of painting on the shelf.