曹丕的《典论·论文》反映了人们文学观念的自觉,其对文学独立不朽的价值的强调,是汉末的时代丧乱所造成的士人精神取向的必然表现。它促进了文学创作的繁荣,但也引发了人们的文学至上的意识和“以翰墨为勋绩”的倾向,于是紧接着就有了齐梁时代的文学过热,使文学盛极而衰。《文心雕龙》正产生于文学过热的时代,其中深深地打着文学过热的时代烙印和文学至上的思想烙印。 Cao Pi’s “Theories and Theses” reflects the consciousness of people’s literature. His emphasis on the immortality of literary independence is an inevitable manifestation of the mentality of intellectuals caused by the late Han Dynasty’s funeral. It promotes the prosperity of literary creation, but also arouses people’s awareness of literary supremacy and the tendency of “doing good works”, then there is literature overheating in Qi and Liang Dynasties, . “Wen Xin Diao Long” is born in the era of literary overheating, which deeply hit the literary overheating era of literary and trademark literary brand.