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如果说,希望通过别人的言说去寻觅好听的音乐作品的话,我宁可相信纯粹的爱乐者,而不是专业乐评人。因为,前者所依托的,仅仅是审美直觉;而后者所依托的,往往是技术分析。前者着眼于意境,后者着眼于手段创新。然而,美感不是分析的结果,而新手段也未必一定能营构出诱人的音响意境。对于爱乐者而言,诱人的音响意境,这种诉诸直感的物化形态,才是他们心中永恒的尺度。至于营构这种音响意境所调遣的技术手段新旧与
If we say that we hope to find good music through other people’s words, I would rather believe pure musicians than professional music critics. Because, the former rely on, just aesthetic intuition; which the latter rely on, often technical analysis. The former focuses on the mood, which focuses on the means of innovation. However, beauty is not the result of analysis, and the new approach may not necessarily be able to create an attractive sound mood. For the Philharmonic, tempting sound mood, this kind of appeal to the intuitive physical and chemical form, is the eternal scale of their hearts. As for the construction of this sound artistic conception of the deployment of new and old technical means