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2015年12月26日,“2014于振立手记+8个方案”艺术展在北京宋庄艺术国际美术馆开幕。说起于振立,从上世纪60年代末到90年代初,从政治宣传画到抽象表现主义绘画,他一直是“弄潮儿”。然而,1994年,在于振立的艺术创作正是口碑与市场都运转良好的情况下,于振立却放弃一切,退居故乡大连的大黑山。是修行还是逃逸?是厌倦还是蛰伏?多年来,于振立对外界的诸多揣测质疑丝毫不理,只是专注于画画、读书、营建工作室,同时,也致力于扶持大连的当代艺术,时至今日,于振立已经被大连的当代艺术界视为导师。这次在北京的展览由吴鸿策划,展出于振
December 26, 2015, “2014 Zhenzhengli Notes +8 Solutions” art exhibition opened in Beijing Songzhuang Art International Art Museum. Speaking of Zhen Li, from the late 1960s to the early 1990s, he was always a “governess” from political propaganda to abstract expressionist painting. However, in 1994, when Zhen Li’s artistic creation was well-established in word of mouth and market, Yu Zhenli gave up everything and retreated to the hometown of Greater Montenegro. Over the years, Yu Zhenli ignored many of the speculations on the outside world, but focused on painting, reading, construction studio, at the same time, is also committed to supporting contemporary art in Dalian, when To date, Yu Zhenli has been regarded as a mentor by the contemporary art community in Dalian. The exhibition in Beijing, curated by Wu Hong, is on display at Zhen