观摩完舞剧《惠安女人》,萦绕在我脑海的是舞台上浓烈的色彩,富有地方风情的舞蹈语汇。舞剧既为“剧”,就不同于一般的舞蹈荟萃,舞剧要通过舞蹈塑造人物,展现剧情,表现一定的社会历史文化内涵。从舞剧本身的审美特性而言,舞剧中的舞蹈应该给予人物“风情性”的展示,更重要的是给予人物“生命化”的揭示。编舞是一种选择。在国内,正从单一“风情性”的模仿与创造,转化为以“生命化”为主、兼顾“风情性”的多元创作。 Watching finished dance drama “Hui woman”, lingering in my mind is the strong color on stage, full of local style dance vocabulary. Dance drama is both “drama”, is different from the general blend of dance, dance to shape the characters through the dance, showing the story, showing some of the social, historical and cultural connotation. As far as the aesthetic characteristics of the ballet itself are concerned, the dance in the ballet should give the characters “style” and more importantly, reveal the characters “life.” Choreography is an option. At home, from a single “style” of imitation and creation, into a “life” as the mainstay, taking into account the “style” of the multiple creative.