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自布莱克顿拍摄完成第一部动画电影《一张滑稽面孔的幽默姿态》以来,美国电影动画片产业历经了开创、初步发展、初次繁荣、蛰伏、再次繁荣的曲折历程。尤其是在再次繁荣阶段,美国电影动画片创作开始向以中国文化元素为代表的多元文化扩展,丰富了影片内容,拓宽了创作思路,为美国电影动画片产业在全球的迅速扩张提供了源源不断的内容支持。本文试从多元文化在美国电影动画片中的植入与本土化入手,探析美国电影动画片借鉴使用多元文化元素的成功之道。
Since the filming of the first animated film “A Comic Face Humor” by Blackstone, the American film animation industry has undergone a tortuous course of pioneering, initial development, initial prosperity, dormancy, and prosperity again. Especially in the stage of renewed prosperity, the beginning of the motion picture animation in the United States has expanded to multiculturalism represented by Chinese cultural elements, enriched the contents of films and broadened the creative thinking, providing a steady stream of global expansion of the U.S. film animation industry Content support. This article attempts to start with the implantation and localization of multiculturalism in American movie and animation films and probe into the successful ways that American film animation draws on the use of multicultural elements.